Clinton Naina

1971 | Melbourne

Clinton Naina (formerly Nain) is a painter, dancer, performer and storyteller who obtained a Bachelor of Fine Art (Painting) from Melbourne’s VCA in 1994, and a Master of Fine Art (Research) from Sydney’s CoFA in 2003.

Naina came to prominence in the late 90s with a poignant series titled White King, Blak Queen, which used a combination of bleach and bitumen to explore the tainted path of colonisation. His unique combination of materials and potent imagery exposes the impact of British settlement and imposed religious order on his people from the Torres Strait Islands.

AVAILABLE WORKS

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CV

Clinton Naina (Meriam Mir/Ku Ku)
Born 1971, lives Melbourne

EDUCATION
2001–03 Master of Fine Arts (Research), College of Fine Arts, University of
New South Wales, Sydney

1992–94 Bachelor of Fine Arts, Victorian College of the Arts, The University
of Melbourne

1990–91 Advanced Certificate of the Arts, Northern Metropolitan College of
TAFE

SOLO EXHIBITIONS

2023     
His Colony, Gallerysmith, Melbourne

2021
Stolen Unknown, Gallerysmith, Melbourne

2019
Painting the Town Blak: Clinton Naina, Yarra City Arts, Richmond Town Hall,
Melbourne

Passive Aggressive – Power, Gallerysmith, Melbourne

2018
Passive Aggressive – Warpaint, Art Atrium, Bondi Junction, Sydney

2016
Passive Aggressive – Dream, Art Atrium, Sydney

2014
REACH, Wyndham Art Gallery, Melbourne

2013
NAIN, fortyfive downstairs, Melbourne

2011
Blue Stone, Blak Flowers, Alcaston Gallery, Melbourne

Mao & I, Cat Street Gallery, Hong Kong

2010
Blak Flowers and Tumbleweed, Mossgreen Gallery, Melbourne

2009
Re’dress, Grant Pirrie Gallery, Sydney

2008
Resistance to Resilience, Nellie Castan Gallery, Melbourne

2007
Hurdy Gurdy (Wrong Way Around), Sherman Galleries, Sydney

2006
A E I O U, Nellie Castan Gallery, Melbourne

2005
Clinton Nain, Karen Brown Gallery, Darwin

The Dirty Deal Ain’t Clean, Sherman Galleries, Sydney

2004
You Never Said Thank You, 138 Lygon Street, Brunswick, Melbourne

2003
Living Under the Bridge, Sherman Galleries, Sydney

Clinton Nain, Karen Brown Gallery, Darwin

2001
Whitens, Removes Stains, Kills Germs, Sherman Galleries Goodhope, Sydney

2000
White King Blak Queen, Brisbane Powerhouse, Live Arts, Brisbane

The Bleach is Blak, Flinders University Art Museum, Adelaide

Heritage Colours, Gertrude Contemporary Art Spaces, Melbourne

1999
Seven Days Seven Nights of Blak Magic, Hogarth Galleries, Sydney

It Reigns White King, Midsumma, Platform 2, The Thin Line, Melbourne

Big Yellow Cloud, Gallery Gabrielle Pizzi, Melbourne Festival, Melbourne

1998
Aboriginal Embassy 1972, 4th National Indigenous Heritage Art Award

Brilliant Blackness, Open Season Gallery, Melbourne

Over My Blak Body, Lavender Nights, Melbourne

1997
Pitched Blak, Hogarth Galleries, Sydney

1996
Nambundah Festival Exhibition, Hogarth Galleries, Sydney

CURATED AND AWARD EXHIBITIONS

2025     
The Stars We Do Not See: Australian Indigenous Art, National Gallery of Art,
Washington, Denver Art Museum, Colorado, Portland Art Museum, Oregon, Essex
Museum, Massachusetts, Royal Ontario Museum, Toronto

1964, 1969, 1977, 1995, 2000, 2005, 2025 (curated by Helen
Hughes and Spiros Panigirakis, Gertrude Contemporary, Melbourne

2024     
Shortlisted, National Aboriginal and Torres Strait Islander Art Award (Telstra NATSIAA),
Museum and Art Gallery of Northern Territory, Darwin

Porter St Launch, Gallerysmith, Melbourne

2023     
XV: PAST PRESENT FUTURE, Gallerysmith, Melbourne

2022     
Sydney Contemporary art fair, Carriageworks, Sydney

Finalist, Wyndham Art Prize, Wyndham Art Gallery, Melbourne

Queer, National Gallery of Victoria

2021
Big Weather, National Gallery of Victoria, Melbourne

Mutable Ecologies, RMIT University, curated by Kristen Sharp, Philip
Samartzis and Andrew Tetzlaff, Online Exhibition. www.mutable-ecologies.com/en

2020
The Koorie Art Show, Koorie Heritage Trust, Yarra Building, Melbourne

Cairns Indigenous Art Fair, Tanks Art Centre, Cairns, Queensland

2019
Drowning not Waving, Wyndham Art Gallery, Victoria

2018
Colony: Frontier Wars, National Gallery of Victoria, Melbourne

2017
Sydney Contemporary Art Fair, Sydney

Seeing Voices, Monash University of Arts Collection, Monash University

2016
Sovereignty, Australian Centre for Contemporary Art, Melbourne

The China Dream Exhibition, Beijing Museum of Visual Art, Beijing, China

2015
End of Year Exhibition, Art Atrium, Bondi Junction, Sydney

Bungaree’s Farm, Curated by Djon Mundine (OAM), Cairns Indigenous Art Fair,
Tanks Art Centre, Cairns.

Passive Aggressive, Cairns Cruise Liner, Shed 3, Cairns Indigenous Art Fair,
Cairns

2014
Show Time, The Art Collection of Arts Centre, Arts Centre, Melbourne.

Blak Wave, Next Wave Festival, Melbourne.

Art Now, National Gallery of Victoria, Melbourne.

2013
TOGART Contemporary Art Award, Darwin

2012
KIAF (Korean International Art Fair), South Korea

Cairns Indigenous Art Fair (Alcaston Gallery), Cairns

Melbourne Art Fair (Alcaston Gallery), Melbourne

Geelong Contemporary Art Prize, Geelong

Alcaston at Depot Gallery, Sydney

2011
Reclaimed: Contemporary Australian Art, Bathurst Regional Art Gallery

Land, Sea and Sky Contemporary Art of the Torres Strait Islands, Queensland
Gallery of Modern Art (GOMA)

Pink Sunrise, Boomalli Gallery, Sydney.

Boots : Rule 30, Michael Long Foundation, N.G.V. AFL, Melbourne.

Wattle : Australian Contemporary Art Show, Cat Street Gallery, Hong Kong

Show at Heiser Gallery, Fortitude Valley Queensland.

Show at Mossgreen Gallery Toorak Melbourne.

New Acquisitions in Council Arts & Heritage Collection, City of Yarra,
Richmond Town Hall, Melbourne.

2010
Gayme, Counihan Gallery, Brunswick, Victoria.

2009
Just Can’t Get Enough, Linden Gallery St Kilda Centre for Contemporary Arts.

2008
The Coloured Digger Exhibition, ANZAC DAY, Damien Minton Gallery, Sydney.

In a Different Light, Artists Portrayed, Sonia Payes, Monash Gallery of Art,
Melbourne

Hand in Hand, Boomalli Aboriginal Artist Co-Operative Performance Space at
Carriageworks Acon, Aboriginal Project Exhibition for the 2008 Sydney Gay &
Lesbian Mardi Gras Festival.

Lives and Times, NGV travelling exhibition, Bendigo Art Gallery, Bendigo,
Victoria

Lines In The Sand Botany Bay Stories From 1770, Hazelhurst Regional Gallery
and Arts Centre, Sutherland Shire.

The Rug Project 2008, Designer Rugs/Auction, Alexandria Industrial Estate,
Sydney

Leading Lights, Ivan Dougherty Gallery UNSW, College of Fine Arts, Sydney

2007
Power and Beauty, Heide Museum of Modern Art, Melbourne

Celebrating Aboriginal Rights, curator Rhonda Davis, Macquarie University
Art Gallery, Sydney

2006
Landmarks, National Gallery of Victoria, Melbourne

Dancelines: Contemporary Indigenous Art x Bangarra Dance Theatre,
Arts Centre Melbourne, curated by Marita Smith

2005
Paper Chase, Nellie Castan Gallery, Melbourne

L’art urbain du Pacifique, Saint-Auvent Castle, Limosin, France

Bleak Epiphanies: an exhibition of small black things, Virginia Wilson Art
in association with William Wright Artists’ Projects, Sydney

2004
One Of: Festivus 04, Sherman Galleries, Sydney

Masters of COFA, College of Fine Arts, University of New South Wales, Sydney

Our Place: Indigenous Australia Now, Benaki Museum, Athens, Greece

Art & Champagne, Friends of the Art Gallery of New South Wales Research
Library and Archive, Australian Galleries, Sydney (fundraiser)

Fundraising Event, Museum of Contemporary Art, Sydney

2003
Beneath the Monsoon: Visions North of Capricorn, Artspace, Mackay; Cairns
Regional Gallery, Cairns; Perc Tucker Regional Gallery, Townsville, QLD

An Indigenous COFA Presence, Ivan Dougherty Gallery, College of Fine Arts,
University of New South Wales, Sydney

2002
Group Exhibition, Sherman Galleries Goodhope, Sydney

Artful Park, Centennial Parklands, Sydney

Gatherings, Queensland Indigenous Art Promotion Project, Brisbane Convention
and Exhibition Centre, Brisbane

What’s Love Got To Do With It?, Royal Melbourne Institute of Technology,
Melbourne

Post Mullet: New Australian Style, Ivan Dougherty Gallery, College of Fine
Arts, University of New South Wales, Sydney

Queer Family, Midsummer Festival, Span Galleries, Melbourne

2001
Bennet Nain Parr Tillers, Sherman Galleries Goodhope, Sydney

2000
The Art of Place, Old Parliament House, Canberra

Sydney 2000 Olympic Arts Festival, Hogarth Galleries, Sydney

Goin’, Goin’, Gone, fundraising exhibition for lesbian and gay anti-violence
project, Lizard Lounge Arts Space, Sydney

Beyond the Pale: Contemporary Indigenous Art, curator Brenda Croft, 2000
Adelaide Biennial of Australian Art, AGSA, Adelaide

1999-03
We Are Australian, George Adams Gallery, Melbourne then touring to regional galleries around Australia

1999
Stolen, World Vision Australia, Walkabout Gallery, Sydney

Walkabout Gallery Exhibition, Paddington Town Hall, Sydney

The Art of Place, Old Parliament House, Canberra

Fiction Factory, Project Space, Royal Melbourne Institute of Technology,
Melbourne

Mapping Our Countries, Djamu Gallery, Sydney

1998-99
Ilan Pasin (This is Our Way): Torres Strait Art, two-year touring of Australia
and the Pacific: Cairns Regional Gallery, Cairns; Perc Tucker Regional Gallery,
Townsville; The Ian Potter Museum of Art, Melbourne; Tandanya: National
Aboriginal Cultural Institute, Adelaide; Queensland Art Gallery, Brisbane;
Campbelltown City Bicentennial Art Gallery, Campbelltown; National Archives of
Australia, Canberra

1998
One Night Only, exhibition of new work by Melbourne artists, Stripp Gallery,
Melbourne

Natives Dancing, Dream Run, Quality Street, Fresh & Blood, A Sydney
Story 1788–1988, Museum of Sydney, Sydney

Black Roots, Boomalli Aboriginal Artists’ Co-op, Sydney

Urban Dreaming Different Meaning, Project Space, Royal Melbourne Institute
of Technology, Melbourne

Pauline Hansen – Co-Existence Australian Artists Against Racism, Hogarth
Galleries, Sydney

1997
I Had a Dream: Australian Art in the 1960s, National Gallery of Victoria,
Melbourne

More than a Piece of Paper, Graduate Centre, The University of Melbourne

1967–1997: 30 Years On, Linden Gallery, Melbourne

Primavera 1997, Museum of Contemporary Art, Sydney

1996
Bay Watch, Grand Central Gallery, Melbourne

Next Wave Festival Exhibition, Linden Gallery, Melbourne

We Iri-We Homeborn, Grand Central Gallery, Melbourne

1995
Blak City Culture, Australian Centre for Contemporary Art, Melbourne,
three-year national travelling exhibition

New Faces New Directions, Gallery Gabrielle Pizzi, Melbourne

Dja Dja Wrung Womin-Je-Ku-Werreneen (William Bit: Welcome to our Homeland),
Bendigo Arts Festival, Bendigo, VIC

National Aboriginal and Torres Strait Islander Week, St Francis Church,
Melbourne

Art of the Men, Melbourne Fringe Festival, Melbourne

1994
Blak City Culture, Australian Centre for Contemporary Art, Melbourne

Power of the Land, National Gallery of Victoria, Melbourne

1993
National Aboriginal and Torres Strait Islander Exhibition, World Trade
Centre, New York

Duality: A World Within a World, Melbourne Fringe Festival

1992
Koori Art Exhibition, Royal Melbourne Show, Melbourne

Koori Arts Exhibition, La Trobe University Art Museum, Melbourne

National Aboriginal and Torres Strait Islander Week, 101 Collins Street,
Melbourne, sponsored by Contemporary Australian Visions

Kitch’en Koori, Melbourne Fringe Festival, Melbourne

1990
Fringe Festival Multi-Media Exhibition, Melbourne

COLLECTIONS

National Gallery of Australia; Art Gallery of South Australia; National
Gallery of Victoria; Queensland Art Gallery; The Australian Museum; Flinders
University Art Museum; Northern Metropolitan College of TAFE; The University of
Melbourne; Victorian College of the Arts; Aboriginal and Torres Strait Islander
Council; Adelaide Festival Centre Foundation; City of Port Phillip; Wesfarmers;
BHP Billiton; DNA Design Nation Pty Ltd; Arthur and Susie Roe Collection; HRA
& Associates; Rio Tinto; Jean-Marie Tijbou Cultural Centre, Noumea

Full CV available on request. Email marita@gallerysmith.com.au