Gosia Wlodarczak

1959 | born Poland, lives melbourne

Born in Poland, and living in Melbourne, Gosia Wlodarczak interprets her immediate surroundings through the language of drawing. Wlodarczak’s practice is cross-disciplinary, extending towards performance, interactive situations, installation, sound, photo and moving-collage; she refers to it as trans-disciplinary drawing. Her works form rich linear tapestries that archive the artist’s fleeting perceptions. Tracing and re-tracing, she historicises the immediate moment through a pentimenti of mark-marking.

Her work is represented in collections including: National Gallery of Australia; National Gallery of Victoria; Art Gallery of New South Wales; Art Gallery of South Australia; Art Gallery of Western Australia; Queensland Art Gallery /Gallery of Modern Art; Sydney Museum of Contemporary Art; Artbank; Deakin University; Edith Cowan University; Murdoch University; Poznan Academy of Fine Arts; Western Washington University.

AVAILABLE WORKS

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GOSIA WLODARCZAK

Gosia Wlodarczak was born in Poland in 1959, arrived in Australia in 1994, lives in Melbourne and works throughout Australia and internationally. 

Wlodarczak has held over 74 solo exhibitions and 70 performances in Australia and internationally including: FROST DRAWING: REPETITION, Shepparton Art Gallery, Victoria (2025); FROST DRAWING FOR MELBOURNE RECITAL CENTRE, Melbourne Recital Centre, Melbourne (2023); FROST & SHADOW DRAWING FOR AUSTRALIA COUNCIL, Australia Council for the Arts, Sydney (2019); GRASS, FROST DRAWING FOR OMI, Omi International Arts Center Ghent, US; A THROUGH-GREY ROOM, Mornington Peninsula Regional Gallery (2017); THE ICE CUBE, FROST DRAWING FOR MSK GENT, Museum of Fine Arts, Ghent: FOUND IN TRANSLATION: Interpretation Drawing #2, 3, 4, Deakin University, Melbourne (2015); FOUND IN TRANSLATION: THE DRUNKEN BUDDHA, TarraWarra Museum of Art, Melbourne (2014); FROST DRAWING FOR THE MUSEUM, National Museum, Szczecin (2013); A ROOM WITHOUT A VIEW, RMIT Gallery, Melbourne (2013); BETWEEN WANDER & SETTLEMENT, Western Washington University, Bellingham, USA (2012).

Recent group exhibitions include: Lost in Palm Springs, Home of the Arts, Queensland, touring Queensland, New South Wales, Victoria, South Australia and Tasmania (2023-2026); COMPASS, Museum of Contemporary Art (2019); Performing Drawing National Gallery of Australia (2018); Artists’ Books For Everything, Zentrum für Künstlerpublikationen I Museum für Moderne Kunst, Bremen (2017); Tangents, Museum of Fine Arts, Ghent (2015); Drawing Out, the Dobell Drawing Biennial, Art Gallery of New South Wales, Sydney; Trace, Queensland Art Gallery/Gallery of Modern Art, Brisbane (2014); The 5th Moscow Biennale of Contemporary Art: More Light, Russian Federation (2013); Contemporary Australia: Women, Gallery of Modern Art, Brisbane (2012); Drawing Now Paris, Carrousel de Louvre, France (2012); Singapore Biennale 2011: Open House, Old Kallang Airport, Singapore (2011); Pathway: Drawing In, On, and Through the Landscape, The Drawing Center/Big Screen Plaza, New York (2011); Freehand: Recent Australian Drawing, Heide Museum of Modern Art (2010); I Walk the Line, Museum of Contemporary Art, Sydney (2009).

Her work is represented in collections including: National Gallery of Australia; National Gallery of Victoria; Art Gallery of New South Wales; Art Gallery of South Australia; Art Gallery of Western Australia; Queensland Art Gallery /Gallery of Modern Art; Museum of Contemporary Art; Artbank; Deakin University; Edith Cowan University; Murdoch University; Poznan Academy of Fine
Arts; Western Washington University.