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ARTISTS | Belinda Fox


Belinda Fox is a multi-disciplinary artist, working in printmaking, painting, ceramics, and sculpture. Her evocative works masterfully distill elements of abstraction with detailed renderings to express alternative possibilities limited only by the imagination. Fox’s practice is largely informed by her nomadic existence via residencies in Darwin, Perth, Sydney and Tasmania and further afield in the USA, Greece, Thailand, Singapore and The Netherlands. Through these experiences, she aims to investigate fragility and imbalance in an increasingly unstable world.

Belinda’s next series, Fault Lines, will be exhibited at Gallerysmith in July 2020. Please contact the gallery to be placed on the advance list for this new work.

Belinda Fox, Empty Vessel ii, 2018, 41x41cm



Belinda Fox, Build it up i, 2018, 110x100cm

Pedestal | Belinda Fox

Belinda Fox's exhibition, Pedestal, considers the notion that ideas which can be held as a beacon of hope can sometimes be flawed. It explores the imperfection which lies in the seemingly perfect. These works focus on this idea of a ‘fall from grace’ or the dismay that follows our naivety...
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Adriane Strampp install shot for Denfair

DENFAIR 2017 | an art and design fair in Melbourne

DENFAIR is a boutique art and design fair held over three days in Melbourne. The fair presents a carefully curated selection…

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Belinda Fox

born 1975, Victoria, lives The Hague


1999     University of Melbourne (Graduate Diploma)

1993     Victoria College of the Arts (Bachelor of Fine Arts – printmaking)

Selected Solo Exhibitions

Pedestal, Gallerysmith, Melbourne

Tilt, Manly Museum and Art Gallery, Sydney

Tapestry, Arthouse Gallery, Sydney

Balancing the world, Chan Hampe Galleries, Singapore

Balancing the world, Sydney Contemporary Art fair, Sydney

Excavate, Korean International Art Fair (KIAF)

Excavate, Arthouse Gallery, Sydney

Hua Ping, The Cat Street Gallery, Hong Kong

Everything is Connected, Chan Hampe Galleries, Singapore

Back to the Start, Scott Livesey Galleries, Melbourne

The View from Here, Arthouse Gallery, Sydney

Deeper the Blue, Niagara Galleries, Melbourne

Slip, Arthouse Gallery, Sydney

Day to Day, Beaver Galleries, Canberra

Finding my way, Turner Galleries, Perth

Everything was Beautiful and Nothing Hurt, Melbourne Art Fair

Backwards-Forwards, Fremantle Arts Centre, Fremantle

Camouflage, Arthouse Gallery, Sydney

Selected Group Exhibitions

Swan Hill Prints and Drawing Award, Swan Hill Regional Art Gallery, VIC
All We Can’t See- group exhibition, The Yellow House, NSW

Paul Guest Collection, Bendigo Art Gallery, VIC
Art Stages, Singapore Art Fair, Singapore

Common Ground, Chan Hampe Galleries, Singapore
The Piano Has Been Drinking (not me), Maitland Regional Gallery, NSW

Grounded, Australian High Commission, Singapore

Inspiring Artists, Pat Corrigan Artists Grants, Maitland Regional Gallery, NSW
Give and Take – collaboration with Neville French, Beaver Galleries, ACT

Recent Acquisitions, National Gallery Australia, ACT
Personal Space, contemporary Chinese and Australian Prints, NSW/China
WATTLE Australian contemporary art, Cat Street Gallery, HK

Can’t See the Woods for the Trees, Sculpture, Niagara Galleries, VIC

Niagara Presents, Niagara Galleries, VIC
Stories of our Making, Australian printmaking, Bristol, UK

Women, Art and Politics, Swan Hill Regional Gallery, VIC

Busan Print Festival, Korea (Australian Representative)
This is not a Print Show, Plimsoll Gallery, TAS (touring NSW, VIC)
Marks and Motifs, RMIT Storey Hall, VIC (touring nationally)


Paul Guest Drawing prize (winner)

Ex Libris Book Award, Artspace Mackay (acquired)

Prometheus Visual Art Award (acquired)
Burnie Print Prize, TAS (winner)

Conrad Jupiter Art Prize, Gold Coast QLD (acquired)
ABN AMRO emerging artist award (finalist 06)
Swan Hill Art Award, Swan Hill, Victoria (acquired 2006)

Fremantle Art Prize, WA (Highly Commended in 2003)

Silk Cut Award, Melbourne (winner 04)


Lianhe Zaoao, “Belinda Fox”, Chinese Daily Newspaper, 25/1/16

Cheah Ui-Hoon, “Delicate balance of painting and sculpture”, The Business Times Singapore, pg28, 4/12/15 Kempson, Bryan, Barkley, Naylor, Guest, “Back to the Start”, monograph, published by Goff Books 2015

Lucy Stranger, “PROFILE”, Artist Profile Magazine, Issue28, pg53-55, 2014

Brett Ballard “Belinda Fox Slip”, review, Ceramics Art and Perception, Vol22/12 pg112-114

Altair Roelants, “The Narrative of Place”, The Journal of Australian Ceramics, Vol50/3, pg20-25 2011

Glenn Barkley, ‘Deeper the Blue”, catalogue essay, September 2011

Dan Rule, “Deeper the Blue”, The Age, pg5 Life & Style, 17/9/11

Kate Bryan, WATTLE Australian Contemporary Art, catalogue, pg38, 2011

Glenn Barkley/Belinda Fox, ‘Process’, Artist Profile Magazine, Issue 14, Pg112-113, 2011

Sasha Grishin, “Art as mirror of the soul”, The Canberra Times, pg9, 21/9/10

Ric Spencer, “Journeys of discovery”, The West Australian, pg7, 14/12/07

Tom Middlemost, “Behind the Camouflage”, Imprint, Vol 42 n#4, 2007

Sasha Grishin, “Strong sense of identity” The Canberra Times, pg8, 4/4/07

Carol Archer, “Contemplative Offerings” Macau Closer, pg70-72, June 2007

Katherine McDonald “Contemporary Print Collecting” Art and Australia, Vol 40 n#2, 2002


National Gallery Victoria VIC, National Gallery of Australia ACT, Print Council Of Australia VIC, Banyule City Council, VIC, Burnie Art Gallery TAS, Wollongong University NSW, Fremantle Arts Centre WA, Artspace Mackay QLD, Swan Hill Regional Gallery VIC, Gladstone Regional Art Gallery QLD, Toowoomba Regional Art Gallery QLD, Warrnambool Art Gallery VIC, Mildura Arts Centre VIC, Queen Victoria Museum TAS, Parliament House Melbourne VIC, Gold Coast Art Gallery QLD, Charles Sturt University NSW, QUT Art Museum QLD, BHP Billiton Melbourne, ArtBank, NSW, AMP Tokyo, Tweed River Regional Gallery, NSW, Hamilton Regional Gallery, VIC

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