In an inadvertent nod to the slow-art movement, Heartland reveals paintings which express the memory of time, reflecting upon the flaws which appear along life’s long journey.
The Long Wait for the Angel is Jennifer Goodman's 8th solo exhibition in her career and her third with Gallerysmith. Her work explores the complexities of colour and the subtleties of abstraction, resulting in a range of delicate, large scale oil on linen compositions. This exhibition is accompanied by an illustrated catalogue with an essay by writer and curator, Chloe Wolifon.
Sam Michelle is a Melbourne painter whose intimate paintings make a strong impact. Her new series, The Cloth Collection, is inspired by the gathering of flowers, ceramics and her growing collection of textiles.
Sam Michelle is among a younger generation of artists whose works engage both emerging and established collectors.
Memento is an exhibition of paintings inspired by my recent experiences living for a year in Belgium, soaking up Flemish art, the landscape and the northern light. Some of the paintings are based European urban environments, connecting directly to other works that depict my suburban environment here in Melbourne.
Whilst there is a transitory nature to the imagery, caught in the midst of busy family life, my detailed oil paintings on linen and copper are about capturing and cherishing these small, quiet moments of beauty in our everyday lives.
In a return to the themes which dominated Coad’s 2014 series, Restoration is an ambitious series of portraits which endeavours to describe an unguarded moment in human interaction. Her figures engage with a series of situations which are not apparent to the viewer in a bid to examine the role of the spectator. She says, “We all find ourselves in conversations where, in a moment, we are observing rather that participating. I seek to recreate the dynamics in the observed moment.”
Lynda Draper's work explores psychological scenarios often representing a journey within the dualities of life and death, reality and fantasy, past and present. She is interested in the relationship between the mind and material world and the related phenomenon of the metaphysical. Her work for The Other comprises a series of 'tiaras' and other abstracted forms, expanding the expressive freedom of her hand-built ceramics practice.