September 2018
The Getty Collection | Sam Michelle
This online exhibition by Sam Michelle takes the J. Paul Getty Collection in LA as a starting point. Inspired by the gardens which surround the museum and objects within, Sam Michelle has developed a fresh body of work using seasonal fruit and flora in a range of compositions.
Find out more »Bloom | Lori Pensini
Lori Pensini explores her heritage and that of her family in her solo exhibition, Bloom. This body of work contains four large scale paintings which examine familial relationships and the personal and cultural connections which exist in pastoral Australia.
Find out more »Lure | Dena Kahan
Using museum collections as subject matter for still life painting, Dena Kahan plays with ambiguities of scale, space and reflection to undermine the clear containment of the museum case. In her exhibition, Lure, insects are drawn to these artificial replicas of the plant world. This imagery references the tradition of 17th century Dutch still life, in which plants and insects take on symbolic meanings and flowers of different seasons bloom together...
Find out more »July 2018
Blue Silence | Ian Friend
Ian Friend’s work reflects a rich engagement with jazz and classical music, poetry and architecture. Blue Silence pays homage to poets and artists, composers and musicians including those as diverse as Elena Kats-Chernin, Edward Elgar, Sol Gabetta and Piet Mondrian.
Find out more »Pedestal | Belinda Fox
Belinda Fox's exhibition, Pedestal, considers the notion that ideas which can be held as a beacon of hope can sometimes be flawed. It explores the imperfection which lies in the seemingly perfect. These works focus on this idea of a ‘fall from grace’ or the dismay that follows our naivety...
Find out more »June 2018
Woodland | Fiona Hiscock
Fiona Hiscock’s oversized ceramic vessels exist within a broader concept of functionalism, as a means to examine her interest in early colonial domestic objects such as water pitchers, basins and bowls. Taking these ideas as a starting point for her practice, her works have evolved to create their own language of decorated utilitarian objects which express her interest in native flora and fauna.
Hiscock’s works are hand-built using the coiling technique, then painted, glazed and fired. The painted images are derived from watercolour studies on paper, developed during intense periods in different landscape environments, most recently around Bundanon in NSW. Other works in this series look at the coastal banksia forests in far eastern Gippsland. Each work then considers the biodiversity of these environments. The result is a series of pitchers, vases, cassoulets and plates which together form an open-ended narrative of Australia’s unique biodiversity.
Limen | Adriane Strampp
Adriane Strampp’s process begins with a collection of photographs, obscure and obscured source material, a compilation of information gathered from places once visited which continue to have some pull or gravitas.
In her studio, fragments of reference material are rearranged, merged and edited to create a new ambiguous reality and a sense of discord; a response painted from the artist’s personal experiences and broader response to the current global climate.
May 2018
2018 BAYSIDE ACQUISITIVE ART AWARD
Bayside acquisitive art prize 18 May - 8 July, 2018The Bayside Acquisitive Art Prize (BAAP) is an annual prize and exhibition in Brighton, Melbourne. It is judged by industry professionals who award total prize monies and acquisitive funds of $19,000.
Find out more »April 2018
New Prismatics | Lyndal Hargrave
Complexity and repetition are key elements in this new series of paintings by Lyndal Hargrave. By modulating simple geometric shapes, the artist allows endless investigations of the subtle shifts of pattern, texture, colour and form.
Find out more »The Memory of Water | Sue Lovegrove
Using traditional techniques of Persian miniature illustration, Sue Lovegrove's new works are intimate works which chart quiet observations of moments in time. Each pairing of 8x4cm paintings present like pages in an open book that might rest in the palm of one’s hands.
Find out more »March 2018
Every NoThing | Catherine Nelson
An infinite video loop of disappearing flora is central to this photo-media exhibition. Catherine Nelson once again captures our imagination with dramatic imagery and haunting inferences in this unique and captivating exhibition.
Find out more »My Brother and the Beast | Eric Bridgeman
A large series of hand painted shields coupled with photographs, paintings and installation will feature in this expansive exhibition which explores Bridgeman's Papua New Guinean heritage.
The shield has always been associated with conflict, used in times of battle as personal armour and as potent symbol of power to attackers. In PNG culture, battles between tribes are a common means of dealing with disputes and maintaining social order. Here, the shield plays an important role in displaying status and power.
February 2018
Heartland | Ngaio Lenz
In an inadvertent nod to the slow-art movement, Heartland reveals paintings which express the memory of time, reflecting upon the flaws which appear along life’s long journey.
Find out more »January 2018
This Wild Song
An exhibition and fundraiser to enable This Wild Song to travel to Singapore in March.
Find out more »November 2017
Angel Song | Ian Friend
With a career spanning four decades, Ian Friend's new paintings on paper encapsulate many of the artist's longstanding concerns. Friend's work conjures his current thinking on political and social issues while also being developed in response to music, poetry and literature.
Find out more »The Long Wait for the Angel | Jennifer Goodman
The Long Wait for the Angel is Jennifer Goodman's 8th solo exhibition in her career and her third with Gallerysmith. Her work explores the complexities of colour and the subtleties of abstraction, resulting in a range of delicate, large scale oil on linen compositions. This exhibition is accompanied by an illustrated catalogue with an essay by writer and curator, Chloe Wolifon.
Find out more »October 2017
The Cloth Collection | Sam Michelle
Sam Michelle is a Melbourne painter whose intimate paintings make a strong impact. Her new series, The Cloth Collection, is inspired by the gathering of flowers, ceramics and her growing collection of textiles.
Sam Michelle is among a younger generation of artists whose works engage both emerging and established collectors. They have featured widely in print and online and the demand for her work is high. To register your interest in Sam's work, email marita@gallerysmith.com.au
Memento | Kirrily Hammond
Memento is an exhibition of paintings inspired by my recent experiences living for a year in Belgium, soaking up Flemish art, the landscape and the northern light. Some of the paintings are based European urban environments, connecting directly to other works that depict my suburban environment here in Melbourne.
Whilst there is a transitory nature to the imagery, caught in the midst of busy family life, my detailed oil paintings on linen and copper are about capturing and cherishing these small, quiet moments of beauty in our everyday lives.
August 2017
The Mystery of Balance | Isobel Clement
Beauty is to be found in the mystery of balance.
Attributed to Leonardo da Vinci
- Alex Kerr, Lost Japan
Find out more »Restoration | Rachel Coad
Restoration is an ambitious series of portraits which capture the expressions that occur in the moment before a response to an idea or a question is articulated. In a return to the themes which dominated Coad’s 2014 series, Juncture, the artist endeavours to describe another unguarded moment in human interaction. Her figures engage with a series of situations which are not apparent to the viewer in a bid to examine the role of the spectator. She says, “We all find ourselves in conversations where, in a moment, we are observing rather that participating. I seek to recreate the dynamics in the observed moment.”
Find out more »July 2017
Shift/Split | a solo exhibition by guest artist Joe Scerri
Through intense conflagrations of explosive black markings, Joe Scerri imagines invisible worlds which occupy physical spaces that are blemished and tainted by repetitive human presence. The ink drawings on paper in Split / Shift are dynamic and in a constant…
Find out more »Other Places | Adriane Strampp
Using subtle shifts in tone and hue, Adriane Strampp’s nuanced paintings in Other Places conjure familiar yet elusive memories of place, emotion and feeling. Her shadowy compositions, built from thin layers of oil and wax on linen, convey a paradox;…
Find out more »June 2017
DENFAIR 2017 | an art and design fair in Melbourne
DENFAIR is a boutique art and design fair held over three days in Melbourne. The fair presents a carefully curated selection of fine art and furniture design to a concentrated audience of architects, interior designers and stylists. Gallerysmith will present works…
Find out more »May 2017
Me and My Beautiful Ugly Cakes | Junko Go
Me and My Beautiful Ugly Cakes Junko Go 25 May - 24 June, 2017In a quest to find universal values, Junko Go’s paintings are not tied to a particular art movement. Instead, they possess a unique aesthetic encompassing elements of…
Find out more »The Other | Lynda Draper
Lynda Draper's work explores psychological scenarios often representing a journey within the dualities of life and death, reality and fantasy, past and present. She is interested in the relationship between the mind and material world and the related phenomenon of the metaphysical. Her work for The Other comprises a series of 'tiaras' and other abstracted forms, expanding the expressive freedom of her hand-built ceramics practice.
Find out more »April 2017
The Myth-Makers | Jeremy Blincoe and Becc Orszag
The Myth-Makers, an exhibition by Jeremy Blincoe and Becc Orszag
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