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2014 exhibitions at Gallerysmith

February 1, 2014 - December 14, 2014

Jennifer Goodman, Paper Blush, 2015, paper collage, 60x45cm framed

December

threehundredandthirty, our annual client and collectors’ event

November

JENNIFER GOODMAN, counter-current
DENA KAHAN, An Un-Natural History

October

ROBBIE HARMSWORTH, Inanna’s Descent

JADE PEGLER, Maw

MCOLLECTION ART AWARD
The MCollection Art Award is an award exhibition for unrepresented artists. This award is an acquisitive award with $7,000 going to the winning artist and their work becoming part of the MCollection, a Melbourne based art collective. In 2014, the panel of three judges comprised Jason Smith, Director of Heide MoMA, Mardi Powell, member of the MCollection and Marita Smith, Director of Gallerysmith. The recipient of the 2014 award was Peter Lambropoulos. Magda Cebokli was announced as the runner-up. Shortlisted works can be viewed on the MCollection Facebook page.

September

ANDREW SEWARD, Drawings

CATHERINE NELSON, Expedition

August

ADAM NORTON, Space Pop 2000

CHRISTOPHER BEAUMONT

June/July

DADANG CHRISTANTO, Once Upon a Time

PAULA DO PRADO, Odalisque
Odalisque installation

April/May

50 SHADES OF BROWN: a group exhibition featuring works by Eric Bridgeman, Mike Chavez, Bundit Puangthong, Vipoo Srivilasa and Regan Tamanui.

SIMONE EISLER, Alter

February/March

LYNDA DRAPER, Summon

SUMMON comprises a series of ceramic avatars that grew out of an assortment of domestic souvenirs collected by the artist over many years. These works continue Draper’s investigation into the uncanny and the evocative metaphysical nature of inanimate objects yet they signify a major process and aesthetic departure from her earlier white pieces. These brightly coloured figures and objects, each with a name and unique personality, are familiar yet strange and seemingly possessed with a power to embody the spirits of the departed.

RACHEL COAD, Juncture

Juncture, a particular point in time, is also the term used to describe the transition from one second to the next. The paintings in Rachel Coad’s current body of work examine this theme by merging the expressions observed between two thoughts. By identifying and combining many facets of one moment, Coad’s muted and intense works delve deeper into subconscious thought and uncover an unhindered engagement with the inner-self.